{"id":1161,"date":"2017-10-16T06:28:19","date_gmt":"2017-10-16T06:28:19","guid":{"rendered":"http:\/\/bpunderground.com\/?page_id=1161"},"modified":"2021-03-18T16:41:40","modified_gmt":"2021-03-18T16:41:40","slug":"home-2","status":"publish","type":"page","link":"https:\/\/bpunderground.com\/index.php\/en\/home-2\/","title":{"rendered":"HOME"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces”][vc_column][rev_slider_vc alias=”slider_en”][\/vc_column][\/vc_row][vc_row full_height=”yes” content_placement=”middle” el_id=”About” el_class=”bgfixed backgroundbottomcenter” css=”.vc_custom_1508147578227{padding-top: 0px !important;padding-right: 10% !important;padding-bottom: 0px !important;padding-left: 10% !important;background-image: url(http:\/\/bpunderground.com\/wp-content\/uploads\/2017\/03\/BPU_about_hatter_x3.png?id=990) !important;}”][vc_column][vc_empty_space height=”89px”][vc_row_inner content_placement=”middle”][vc_column_inner width=”1\/3″][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_custom_heading text=”BP UNDERGROUND” font_container=”tag:h1|font_size:32px|text_align:center|color:%23f7c522″ google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:800%20bold%20regular%3A800%3Anormal” css=”.vc_custom_1538304909584{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #000000 !important;}”][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_column_text css_animation=”bounceIn” css=”.vc_custom_1581580212950{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #000000 !important;}”]BP Underground is a documentary series exploring the underground youth subcultures of Budapest, Hungary in the 90s and 2000s, right after the iron curtain fell. The underground scene of Budapest and its musical subcultures are a vital and essential part of wider Hungarian culture. This series deals with how these small scenes built bigger communities and how they affected our society \u2013 and still do to this day. It uncovers how Budapest contributed to this phenomenon. What were the unwritten rules of these subcultural groups? What were their unique symbols, special uniforms, legendary venues, and heroic figures? What are the personal stories behind all of this? The directors, Anna Koltay and Esther Turan, as integral parts of these movements themselves, use their insight and access to bring untold stories to light.<\/span><\/p>\n

Moviebar Productions the documentary is a labor of love.<\/span><\/p>\n

Please help the crew continue with the production. In case you\u2019d like to make a donation, feel free to send your contribution via Paypal using the button below.<\/span>[\/vc_column_text][vc_column_text css_animation=”bounceInRight” css=”.vc_custom_1538305029221{padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;}”]<\/p>\n

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\n \n \n \n \n \n \n \n \n \"\"\n <\/div>\n<\/form>\n\n<\/h4>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1574862431894{background-color: #0a0a0a !important;}” el_id=”News” el_class=”bgfixed backgroundbottomcenter”][vc_column][vc_row_inner content_placement=”middle”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_custom_heading text=”NEWS” font_container=”tag:h1|font_size:32px|text_align:center|color:%23000000″ google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:800%20bold%20regular%3A800%3Anormal” css=”.vc_custom_1574862485959{padding-top: 10px !important;padding-right: -20px !important;padding-bottom: 10px !important;padding-left: -20px !important;background-color: #f7c522 !important;}”][vc_empty_space height=”50px”][vc_custom_heading text=”#stayathome and #watchhungarianmovies \ud83c\udfac” font_container=”tag:h1|font_size:28px|text_align:center|color:%23f7c522″ google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:900%20bold%20regular%3A900%3Anormal” css=”.vc_custom_1585119981342{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #000000 !important;}”][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”2131″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1585120257285{padding-top: 10px !important;padding-right: 40px !important;padding-bottom: 10px !important;padding-left: 40px !important;background-color: #000000 !important;}”]<\/p>\n

\u25b6\ufe0f We are happy to announce that the BP Underground series is now available online <\/span>with subtitles\u00a0<\/span>in Europe and South-America on Cinego: <\/span><\/h5>\n
Hardcore\/Punk:<\/span> https:\/\/cinego.hu\/filmek\/bp-underground-hardcore-punk<\/a><\/span><\/h5>\n
Hip Hop:<\/span> https:\/\/cinego.hu\/filmek\/bp-underground-hip-hop<\/a><\/span><\/h5>\n
Electronic Music:<\/span> https:\/\/cinego.hu\/filmek\/bp-underground-elektronikus-zene<\/a><\/span><\/h5>\n
All episodes of the BP Underground series are available here:<\/span> https:\/\/cinego.hu\/valogat…\/bp-underground-teljes-valogatas<\/a><\/span><\/h5>\n
\u25b6\ufe0f Check out the BP Underground electronic music section that is already available on Telekom Video Library on your TV or here on TV GO:<\/span><\/h5>\n
https:\/\/www.tvgo.hu\/film\/26225831_bp_underground_elektronikus_zene<\/a><\/span><\/h5>\n
<\/h5>\n
\u25b6\ufe0f Hip-hop episode here, for only 360 HUF:<\/span><\/h5>\n
https:\/\/hvg.hu\/kultura\/20200207_Jon_a_BP_Underground_a_hvg360on<\/a><\/span><\/h5>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1507060391261{background: #232323 url(http:\/\/bpunderground.com\/wp-content\/uploads\/2017\/03\/trailer-bg.jpg?id=69) !important;}” el_id=”Trailers”][vc_column][vc_row_inner content_placement=”middle”][vc_column_inner][vc_custom_heading text=”WATCH” font_container=”tag:h1|font_size:32px|text_align:center|color:%23f7c522″ google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:800%20bold%20regular%3A800%3Anormal” css=”.vc_custom_1507302250857{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;}”][\/vc_column_inner][\/vc_row_inner][vc_video link=”https:\/\/vimeo.com\/366229230″ el_width=”80″ align=”center”][vc_video link=”https:\/\/vimeo.com\/372861696″ el_width=”80″ align=”center”][vc_video link=”https:\/\/vimeo.com\/281622460″ el_width=”80″ align=”center”][vc_video link=”https:\/\/vimeo.com\/521896509″ el_width=”80″ align=”center”][vc_empty_space height=”130px”][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1536489596000{background-image: url(http:\/\/bpunderground.com\/wp-content\/uploads\/2019\/11\/IMG_2926-e1573207619900.jpg?1939) !important;}” el_class=”bgfixed backgroundbottomcenter” el_id=”Episodes”][vc_column][vc_row_inner content_placement=”middle”][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_custom_heading text=”EPISODES” font_container=”tag:h1|font_size:32px|text_align:center|color:%23f7c522″ google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:800%20bold%20regular%3A800%3Anormal” css=”.vc_custom_1508136818959{padding-top: 10px !important;padding-right: -20px !important;padding-bottom: 10px !important;padding-left: -20px !important;background-color: #000000 !important;}”][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_custom_heading text=”ELECTRONIC MUSIC” font_container=”tag:h1|font_size:28px|text_align:left|color:%23f7c522″ google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:900%20bold%20regular%3A900%3Anormal” css=”.vc_custom_1536490488125{padding-top: 10px !important;padding-bottom: 10px !important;padding-left: 40px !important;background-color: #000000 !important;}”][vc_column_text css=”.vc_custom_1581580066628{padding-top: 10px !important;padding-right: 40px !important;padding-bottom: 10px !important;padding-left: 40px !important;background-color: #000000 !important;}”]\"\"<\/span><\/span><\/p>\n

The third part of the BP Underground series is about Budapest\u2019s underground electronic music scene. Just like the other episodes it also evokes the emergence and growth of the genre with its unique visual world and a lot of archive footage.<\/span><\/p>\n

Among other things, it seeks to discover how Budapest as a center shaped the subculture. The BP Underground electronic music episode acts as a kind of time capsule to bring the feelings of the 90\u2019s back from an era of unrestrained influx of western influences, when it was trendy to attend Acid Parties, everyone was into Rave and Goa Trance, and the best parties were at Katlan and Frankhegy. Copied cassette tapes were spreading like mushrooms, many were trying out imported drugs while listening to Tilos Radio and DJ Palotai was a god. How did the characteristics of each style evolve? What is the difference between jungle and drum and bass? How does one learn to love goa trance and how does one become a techno freak? The social aspect is also put into focus: Is there any socially decisive factor as to who chooses the electronic music scene? Who are the personalities still known today that used to be central figures? What do they think about their roots decades later? What does it mean for some of the musicians to rise from being unknown underground artists to achieving national fame? What is the specific Hungarian flavor of the different styles which are mainly rooted in British\/American culture? What is the underground electronic music scene like today? Is it still relevant? Does it still have power and a voice in our digital world? To what extent did it remain underground?<\/span><\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_custom_heading text=”INTERVIEWEES” font_container=”tag:h1|font_size:28px|text_align:right|color:%23f7c522″ google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:900%20bold%20regular%3A900%3Anormal” css=”.vc_custom_1507635836560{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #000000 !important;}”][vc_column_text css=”.vc_custom_1580386229954{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #000000 !important;}”]<\/p>\n

Zsiga Bern\u00e1thy
\nDorka Berkes “Dork”
\nAmbrus De\u00e1k “AMB”
\nG\u00e1bor Deutsch “Anorganik”
\nZsolt Erd\u00e9lyi “Superman”
\nG\u00e1bor Erd\u0151si Statik
\nBal\u00e1zs Fej\u00e9r “Naga”
\nAttila Fodor “Kevin”
\nFarkas F\u00fcl\u00f6p
\nDani Kar\u00e1nyi
\nIstv\u00e1n K\u00e1ntor “Isu”
\nFerenc K\u00f6ml\u0151di
\nL\u00e1szl\u00f3 L. Laki
\nManek
\nBal\u00e1zs Mayer “Kenguru”
\nM\u00e1ty\u00e1s Milkovics
\nOleg
\nL\u00e1szl\u00f3 Papp
\nZsolt Prieger
\nD\u00e1vid R\u00e1day “Raasa”
\nSimon Szab\u00f3
\nZolt\u00e1n Szab\u00f3 “Lui”
\nTitusz
\nGy\u00f6rgy T\u00edm\u00e1r “Jirzij”
\nM\u00e1t\u00e9 Tollner
\nTom Select
\nAndr\u00e1s T\u00f3th “Wegha”
\nRen\u00e1ta T\u00f3th “DJ Ren”
\nVili Vajdai
\nG\u00e1bor Valdinger
\nG\u00e1bor V\u00e1lyi “Shuriken”
\nBal\u00e1zs Zs\u00e1ger
\n<\/span><\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_custom_heading text=”CREW” font_container=”tag:h1|font_size:28px|text_align:left|color:%23f7c522″ google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:900%20bold%20regular%3A900%3Anormal” css=”.vc_custom_1507635908539{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #000000 !important;}”][vc_column_text css=”.vc_custom_1580641810247{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #000000 !important;}”]<\/p>\n

Director:<\/strong> Anna Koltay, Esther Turan<\/span>
\nProducer:<\/strong> Esther Turan<\/span>
\nCo-producer:<\/strong> Judit Romwalter, Vikt\u00f3ria Trepper<\/span>
\nCinematographer<\/span><\/span>:<\/strong> D\u00e1niel B\u00e1lint
\nCamera operators:<\/strong> Bal\u00e1zs Domokos, Andr\u00e1s T\u00e1borosi
\nB Camera operators:<\/strong> D\u00e1niel K\u00f3r\u00f3di, J\u00falia Vaszari
\nProduction manager:<\/strong> Rita J\u00f3n\u00e1s
\nProduction assistants:<\/strong> Bence F\u00fcrst, Anita M\u00f3zes
\nEditor:<\/strong> \u00c1gnes Gr\u00fcnvalszky
\nSound:<\/strong> \u00c1ron D\u00f3czy, Zolt\u00e1n Gubinyi, M\u00e1rk Gyula, Menyh\u00e9rt V\u00f6r\u00f6s
\nElectricians:<\/strong> Rich\u00e1rd Endr\u00e9di, Zolt\u00e1n Farkas, Viktor G\u00f6ncz\u00f6l, D\u00e1vid R\u00e1csai,\u00a0 M\u00e1rton Tamus, D\u00e1niel V\u00e9kony
\nL.A. CREW:<\/strong>
\nCamera:<\/strong> Bobby Quillard
\nSound:<\/strong> Doma Schrank
\nPost production supervisor:<\/strong> Mih\u00e1ly K\u00f6rnyei – Studio Lamb
\nSound engineer:<\/strong> Mih\u00e1ly Fej\u00e9r
\nMastering:<\/strong> G\u00e1bor Deutch – Anorganik
\nColorist:<\/strong> Szandra Bogn\u00e1r
\nLogo:<\/strong> D\u00e1niel Blik
\nGraphic design:<\/strong> Bal\u00e1zs Markovics
\nPhotos:<\/strong> Dorka Cseke
\n<\/span><\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”59px”][vc_row_inner css=”.vc_custom_1573210574290{background-color: #ffffff !important;}”][vc_column_inner][vc_single_image image=”1957″ alignment=”center”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row el_id=”Dates” el_class=”bgfixed backgroundbottomcenter” css=”.vc_custom_1536489494006{background-image: url(http:\/\/bpunderground.com\/wp-content\/uploads\/2017\/03\/hatter_stab_BPU.jpg?id=1117) !important;}”][vc_column][vc_empty_space height=”58px”][vc_row_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_custom_heading text=”HIP-HOP” font_container=”tag:h1|font_size:28px|text_align:left|color:%23f7c522″ google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:900%20bold%20regular%3A900%3Anormal” css=”.vc_custom_1536490488125{padding-top: 10px !important;padding-bottom: 10px !important;padding-left: 40px !important;background-color: #000000 !important;}”][vc_column_text css=”.vc_custom_1581579943050{padding-top: 10px !important;padding-right: 40px !important;padding-bottom: 10px !important;padding-left: 40px !important;background-color: #000000 !important;}”]\"\"<\/span><\/p>\n

The first ever documentary film about the underground hip hop scene of Budapest, Hungary premiered in the summer of 2018.<\/span><\/p>\n

It follows the first episode of the documentary series \u201cBP Underground\u201d, which had a successful premiere in July 2017, at the popular venue Toldi cinema in Budapest.<\/span><\/p>\n

BP Underground \u2013 Hardcore\/Punk was selected by numerous film festivals around Europe. Rockmaraton, a music festival, named a whole stage after the project. The directors, Anna Koltay and Esther Turan, have just completed the second, much anticipated episode of the series, focusing on the hip hop scene of Budapest. BP Underground is an homage to Budapest\u2019s underground youth subcultures. The aim of each episode is to show how small scenes built bigger communities and how they affected our society. Not only do they explore the influential tunes, the message, legendary venues, record stores and heroic figures of this subculture, but they also reflect on today. They present an overarching view from this subculture\u2019s humble beginnings to highlights from the golden age- the 90s through the 2000s.<\/span><\/p>\n

The second episode of BP Underground is about the underground hip hop culture of Budapest. Similarly to the previous Hardcore\/Punk episode, it builds a unique visual world including many original archive clips, documenting the birth and thriving of Hungarian hip hop. The movie will guide viewers through the much-loved talent contest, Fila Rap Jam, and historical event-series like Gimmeshot, Microfonparties and the OSG. On top of that, viewers will get an insight into sorely-missed venues like Filotorig\u00e1t, Maszk klub and Kultiplex.<\/span><\/p>\n

Besides dealing with the most important characters, from rappers to MCs and DJs, it also introduces the viewer to the Hungarian culture of graffiti, gypsy hip hop, female performers and break dancers. The upcoming episode aims to discover how the capital of Hungary, as a center, shaped the subculture, and how a cultural exchange took place between the hip hop figures from the countryside and the purveyors of Budapest hip hop.<\/span><\/p>\n

BP Underground\u2019s Hip Hop episode is a historical deep-dive, transporting the viewer back to the true 90\u2019s and 2000\u2019s feeling: an era of overflowing Western influence, when hanging around street corners, playing street basketball, Yo! MTV Raps and mixtapes bloomed like they never did before\u2026 The film also explores how social background connects to choosing a subculture \u2013 is it the strong desire of belonging somewhere? How did gangs develop, why was it a matter of life or death who belonged to which one, and why do these eternal rivalries persist?<\/span><\/p>\n

Who are the icons who are still well-known today, who were the central figures back in the day and, decades later, what do they think about their roots? What does national fame mean to those who started out as underground musicians? How does it feel to be the member of the hip hop family, is it more than the love for music, is it an everlasting bond? How does Hungarian hip hop compare to the original style with its African-American roots, and is social criticism a fundamental thread through both? What about hip hop culture in Hungary today? Does it have the same legitimacy and power in the digital world? Where is the line between underground and mainstream, and what is the scene\u2019s message in 2018? These are questions the directors have sought answers for.<\/span><\/p>\n

The creators are especially grateful for those who have supported the realization of the second episode.<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_custom_heading text=”INTERVIEWEES” font_container=”tag:h1|font_size:28px|text_align:right|color:%23f7c522″ google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:900%20bold%20regular%3A900%3Anormal” css=”.vc_custom_1507635836560{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #000000 !important;}”][vc_column_text css=”.vc_custom_1585293748880{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #000000 !important;}”]<\/p>\n

D\u00e1niel Baranyai \u201eEck\u00fc\u201d<\/span>
\nD\u00e1niel Blik<\/span>
\nBusa Pista<\/span>
\nRich\u00e1rd D\u00f3sa \u201eRicsip\u00ed\u201d<\/span>
\nR\u00f3bert Dulna \u201eZenk aka Zenki Mefisto\u201d<\/span>
\nKriszti\u00e1n Farag\u00f3 \u201eDJ Quick\u201d<\/span>
\nM\u00e1t\u00e9 Felcser \u201eRendbenMan\u201d<\/span>
\nTibor Gy\u0151z\u0151 Gy\u00f6re \u201eDJ Gy\u00f6remix!\u201d<\/span>
\nBal\u00e1zs Ha\u00e1sz \u201eMC G\u0151z\u201d<\/span>
\nSzabolcs Halmosi \u201eBobakrome\u201d<\/span>
\nPatrik Havas \u201eDj Frequent\u201d<\/span>
\nPatr\u00edcia Horny\u00e1k \u201ePoisy\u201d<\/span>
\nAndr\u00e1s Jakab \u201eAZA\u201d<\/span>
\nM\u00e1rk J\u00e1vor \u201eDj Mango\u201d<\/span>
\nKemon Wesley Thomas \u201eMC Kemon\u201d<\/span>
\nL\u00e1szl\u00f3 Koller \u201eQka MC\u201d<\/span>
\nGergely Ozsv\u00e1th \u201eMentha\u201d<\/span>
\nFatima Mohamed<\/span>
\nTimi Papp<\/span>
\nCsaba Schm\u00e9l \u201eArtoscsaba\u201d<\/span>
\nDoma Schrank, Sena Dagadu<\/span>
\nBence Simon \u201eBenski\u201d<\/span>
\nM\u00e1rk S\u00fcveg \u201eSaiid\u201d<\/span>
\nM\u00e1rton Mikl\u00f3s Szab\u00f3 \u201eMiki 357\u201d<\/span>
\n\u00c1d\u00e1m Zsolt Vajgel \u201eZsolaa\u201d<\/span>
\nP\u00e9ter Z\u00e1vada \u201e\u00dajonc\u201d<\/span>
\nBal\u00e1zs Zsiga \u201eNos\u2019 Chez aka Turan Khan\u201d<\/span><\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_custom_heading text=”CREW” font_container=”tag:h1|font_size:28px|text_align:left|color:%23f7c522″ google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:900%20bold%20regular%3A900%3Anormal” css=”.vc_custom_1507635908539{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #000000 !important;}”][vc_column_text css=”.vc_custom_1536659943616{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #000000 !important;}”]<\/p>\n

Director:<\/strong>\u00a0Anna Koltay, Esther Turan<\/span>
\n Producer:<\/strong> Esther Turan<\/span>
\n Co-producer:<\/strong>\u00a0Viki Trepper, Judit Romwalter, D\u00f3ra\u00a0Nedeczky<\/span>
\n Unit manager:<\/strong>\u00a0 Nikolett\u00a0Meister<\/span>
\n Cinematographer:<\/strong>\u00a0 D\u00e1niel B\u00e1lint, D\u00e1niel\u00a0K\u00f3r\u00f3di <\/span>
\n B camera operator:<\/strong>\u00a0M\u00e1rton G\u00e9resi , Claudia Kov\u00e1cs, Ben Hyde<\/span>
\n Assistant director:<\/strong>\u00a0Bal\u00e1zs\u00a0Markovics <\/span>
\n Gaffer:<\/strong>\u00a0 M\u00e1rton\u00a0Tamus<\/span>
\n Sound:<\/strong>\u00a0 Zolt\u00e1n Gubinyi, P\u00e1l Soml\u00f3, B\u00e1lint\u00a0Z\u00e1ndoki <\/span>
\n Editor:<\/strong>\u00a0 Antal\u00a0Szv\u00e1k<\/span>
\n Mastering:<\/strong>\u00a0 G\u00e1bor Deutsch “Anorganik”<\/span>
\n Colorist:\u00a0<\/strong>\u00a0Szandra\u00a0Bogn\u00e1r<\/span>
\n Post production:<\/strong> Studio Lamb<\/span>
\nMih\u00e1ly K\u00f6rnyei, Zolt\u00e1n V\u00e1rfoki, Andr\u00e1s K\u00f6v\u00e9r, Mih\u00e1ly Fej\u00e9r, Alexandra Poremba,\u00a0 Zs\u00f3fia Eszter\u00a0Moln\u00e1r<\/span>
\n Graphics:<\/strong>\u00a0D\u00e1niel Blik, Krisztina J\u00e1vorszki, Bal\u00e1zs\u00a0Markovics<\/span>
\n Production assistant:<\/strong>\u00a0Adrienn Erd\u0151dy, Krisztina\u00a0J\u00e1vorszki <\/span><\/p>\n

\u00a0<\/span><\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”85px”][\/vc_column][\/vc_row][vc_row el_class=”bgfixed backgroundbottomcenter” css=”.vc_custom_1520326799044{background-image: url(http:\/\/bpunderground.com\/wp-content\/uploads\/2017\/10\/slider_dia_6_x.jpg?id=1336) !important;}”][vc_column][vc_row_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_custom_heading text=”HARDCORE \/ PUNK” font_container=”tag:h1|font_size:28px|text_align:left|color:%23f7c522″ google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:900%20bold%20regular%3A900%3Anormal” css=”.vc_custom_1538308355865{padding-top: 10px !important;padding-bottom: 10px !important;padding-left: 40px !important;background-color: #000000 !important;}”][vc_column_text css=”.vc_custom_1581579715343{padding-top: 10px !important;padding-right: 40px !important;padding-bottom: 10px !important;padding-left: 40px !important;background-color: #000000 !important;}”]\"Hardcore<\/span><\/span><\/p>\n

Authentic Hungarian punk is a special breed. It combined Western-European influences with the chaos, fear and rebellion of Hungary after 1989. BP Underground explores the cutting edge hardcore-punk scene of Budapest immediately following the radical regime change. Apart from creating a vivid portrait, an homage of the youth subculture and music scene in the 90s and the 2000s, the episode focuses on how historical circumstances and the city itself influenced them.<\/span><\/span><\/p>\n

We discover the sociological and the personal background of the subculture through rich archive footage and the testimonies of iconic figures from the era, such as the legendary Tizedes, member of bands like Marina Revue, Bandanas, Tizedes meg a t\u00f6bbiek; Jani Riger and Andr\u00e1s Mad\u00e1r from B\u00f6iler; Tam\u00e1s Rupaszov, the founder of Trottel Records; D\u00e1vid Jancsis, a sociologist and corruption expert, member of the band Leuk\u00e9mia; and journalist P\u00e9ter Uj. We also interviewed former members of Dawncore and Newborn, bands formed during the second wave of Hungarian hardcore: Bal\u00e1zs So\u00f3s, \u00c1d\u00e1m Fellegi, Zolt\u00e1n Jakab, Tibor Szalkai; Attila T\u00f6r\u00f6k of Burning Inside; Gerg\u0151 T\u00f3th of Blind Myself and Krist\u00f3f KRSA T\u00f3th of Pannonia Allstars Ska Orchestra. Andr\u00e1s B\u00f6decs of The Iduro talks about his connection to the subculture; P\u00e1l Soml\u00f3 of Shellbeach, B\u00e1lint Szoll\u00e1r and Tam\u00e1s Kuttner of Bridge to Solace; Bal\u00e1zs P\u00e1ndi, journalist and drummer; as well as the curator Kata Oltai all helped us to explore the era and get to the bottom of the hardcore\/punk scene.<\/span><\/span><\/p>\n

They share their personal stories and their reflections on the movement, while we dive into the historical locations and infamous venues of the time, such as Fekete Lyuk (Black Hole) in Golgota street, Total Car at the Nyugati Railway Station and Kultiplex in Kinizsi street.<\/span><\/span><\/p>\n

We find our answers to questions like: did the chaotic time of the regime change affect the life of the subcultural? Are the key figures of the era still active today? What do they think about the movement now, decades later? How did it all affect their lives and what\u2019s it like to look back at their roots? Where did that visceral criticism of Hungarian society come from and does their message still resonate with the generations of today?
\n<\/span><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_custom_heading text=”INTERVIEWEES” font_container=”tag:h1|font_size:28px|text_align:right|color:%23f7c522″ google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:900%20bold%20regular%3A900%3Anormal” css=”.vc_custom_1508137422846{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #000000 !important;}”][vc_column_text css=”.vc_custom_1538307306899{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #000000 !important;}”]<\/p>\n

Andr\u00e1s B\u00f6decs
\n<\/span>\u00c1d\u00e1m Fellegi
\n<\/span>Zolt\u00e1n Jakab
\n<\/span>D\u00e1vid Jancsics
\n<\/span>Anna Koltay
\n<\/span>Tam\u00e1s Kuttner
\n<\/span>Andr\u00e1s Mad\u00e1r
\n<\/span>Attila \u201cTizedes\u201d M\u00e1rton
\n<\/span>Kata Oltai
\n<\/span>Bal\u00e1zs P\u00e1ndi
\n<\/span>Tam\u00e1s Rupaszov
\n<\/span>J\u00e1nos Riger
\n<\/span>Bal\u00e1zs So\u00f3s
\n<\/span>P\u00e1l Soml\u00f3
\n<\/span>Tibor Szalkai
\n<\/span>B\u00e1lint Szoll\u00e1r
\n<\/span>Krist\u00f3f \u201cKRSA\u201d T\u00f3th
\n<\/span>Gerg\u0151 T\u00f3th
\n<\/span>Attila T\u00f6r\u00f6k
\n<\/span>Esther Turan
\n<\/span>P\u00e9ter Uj <\/span><\/span><\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_custom_heading text=”CREW” font_container=”tag:h1|font_size:28px|text_align:left|color:%23f7c522″ google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:900%20bold%20regular%3A900%3Anormal” css=”.vc_custom_1508137984219{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #000000 !important;}”][vc_column_text css=”.vc_custom_1581584399029{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #000000 !important;}”]<\/p>\n

Director:<\/strong> Anna Koltay, Esther Turan<\/span>
\nProducer:<\/strong> Esther Turan<\/span>
\nCo-producer:<\/strong> Viki Trepper, Judit Romwalter<\/span>
\nUnit Manager:<\/strong> Berta Rozgonyi<\/span>
\nCinematographer:<\/strong>\u00a0Daniel Balint<\/span>
\nMastering:<\/strong> G\u00e1bor Deutsch “Anorganik”<\/span>
\nB camera operators:<\/strong> Domonkos R\u00f3nai, D\u00e1niel K\u00f3r\u00f3di, M\u00e1rton G\u00e9resi<\/span>
\nC camera operator:<\/strong> Kriszti\u00e1n \u00c9der<\/span>
\nEditor:\u00a0<\/strong> R\u00e9ka P\u00e1lfalvi<\/span>
\nColorist:<\/strong>\u00a0 Eszter Nagy, Szandra Bogn\u00e1r<\/span>
\nSound:<\/strong> P\u00e1l Soml\u00f3, B\u00e1lint Z\u00e1ndoki<\/span>
\nGaffer:<\/strong> Marci Tamus<\/span>
\nCamera assistant:<\/strong> \u00c1d\u00e1m Barta<\/span>
\nProduction Assistant:<\/strong> Laura Gyenge<\/span>
\nPost production:<\/strong> Studio Lamb<\/span>
\nMih\u00e1ly\u00a0K\u00f6rnyei, Zolt\u00e1n V\u00e1rfoki, Andr\u00e1s K\u00f6v\u00e9r,<\/span>
\nAntal Szv\u00e1k, Mih\u00e1ly Fej\u00e9r, Alexandra Poremba, Zs\u00f3fia Eszter Moln\u00e1r<\/span>
\nTitle Soundtrack:<\/strong> Rendben Man – M\u00e1t\u00e9 Felcser<\/span>
\nGraphic Design:<\/strong> D\u00e1niel Blik<\/span>
\nStill photographer:<\/strong> Bernadett Fej\u00e9r<\/span><\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row el_id=”Cast” el_class=”container containerNoPadding”][vc_column][vc_empty_space height=”59px”][vc_row_inner content_placement=”middle”][vc_column_inner width=”1\/3″][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_custom_heading text=”CREATORS” font_container=”tag:h1|font_size:32px|text_align:center|color:%23000000″ google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:800%20bold%20regular%3A800%3Anormal” css=”.vc_custom_1508137159608{padding-top: 10px !important;padding-right: -20px !important;padding-bottom: 10px !important;padding-left: -20px !important;background-color: #f7c522 !important;}”][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”75px”][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/6″][vc_single_image image=”775″ img_size=”large” alignment=”center”][vc_column_text]<\/p>\n

ESTHER TURAN<\/strong>
\n<\/span><\/strong>Director\/Producer<\/span><\/em><\/h3>\n

Esther obtained a degree in Television directing at SZFE University of Drama and Film in Budapest. After graduation, she established in 2004 Moviebar Productions, her own film production company, where she is deeply involved in every project as a creative producer from international feature films or TV series through major TVCs for well-known brands. Her most important projects are: The Reckoning (Neil Marshall, 2020), Swoon (Mans Marlind, Bj\u00f6rn Stein, 2019) The Field Guide to Evil (Peter Strickland’s segment, 2018) Maximilian TV-series (Andreas Prochaska, 2017). The BP Underground documentary series about youth subcultures was her directorial debut, and it opened a new chapter in her life. Esther moved to Los Angeles in 2017 and opened Moviebar Productions\u2019 LA office there. She is currently developing her TV and film ideas in LA while prepping for BP Underground\u2019s 4th episode about the Rock scene of Budapest.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”2\/6″][vc_single_image image=”778″ img_size=”large” alignment=”center”][vc_column_text]<\/p>\n

ANNA\u00a0<\/strong>KOLTAY
\n<\/strong>Director<\/span><\/em><\/h3>\n

After receiving her MA in Communication in Hungary, she graduated from the London College UCK specialising in Media and Journalism. She has been working at the Hungarian state channel, MTV since 2012 in various positions: she\u2019s the reporter and presenter of several programmes dealing with public and political issues, as well as factual entertainment content. Since 2016 she has been the permanent presenter and editor of the Cultural Department of the Hungarian Television. By completing BP Underground she was lucky enough to combine both of her field of expertise: the Hungarian underground scene and the documentary genre itself.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_empty_space height=”95px”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1507637161588{background-image: url(http:\/\/bpunderground.com\/wp-content\/uploads\/2017\/03\/hatter_stab_BPU.jpg?id=1117) !important;}” el_class=”bgfixed backgroundbottomcenter”][vc_column][\/vc_column][\/vc_row][vc_row content_placement=”middle” el_id=”Reviews” css=”.vc_custom_1508139501872{background-color: #ffc906 !important;}”][vc_column][vc_empty_space height=”57px”][vc_row_inner content_placement=”middle”][vc_column_inner width=”1\/3″][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_custom_heading text=”PARTNERS” font_container=”tag:h1|font_size:32px|text_align:center|color:%23f7c522″ google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:800%20bold%20regular%3A800%3Anormal” css=”.vc_custom_1508139194632{padding-top: 10px !important;padding-right: 10px !important;padding-bottom: 10px !important;padding-left: 10px !important;background-color: #000000 !important;}”][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”57px”][vc_row_inner][vc_column_inner width=”1\/6″][vc_single_image image=”788″ img_size=”90×68″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/anorganik.net\/” css=”.vc_custom_1507377767597{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image image=”813″ img_size=”100×39″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/www.sparks.hu\/welcome.php” css=”.vc_custom_1507377700667{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image image=”790″ img_size=”90×85″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/studiolamb.hu\/” css=”.vc_custom_1507377726424{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image image=”789″ img_size=”90×64″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/www.karmazin.hu\/” css=”.vc_custom_1507377746093{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image image=”1460″][\/vc_column_inner][vc_column_inner width=”1\/6″][vc_single_image image=”2035″][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”57px”][vc_row_inner][vc_column_inner][vc_single_image image=”825″ img_size=”150x150px” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/movie-bar.net\/en\/”][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”57px”][vc_row_inner content_placement=”middle”][vc_column_inner width=”1\/3″][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_custom_heading text=”SUPPORT” font_container=”tag:h1|font_size:32px|text_align:center|color:%23f7c522″ google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:800%20bold%20regular%3A800%3Anormal” css=”.vc_custom_1508139376982{padding-top: 10px !important;padding-right: -20px !important;padding-bottom: 10px !important;padding-left: -20px !important;background-color: #000000 !important;}”][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”57px”][vc_row_inner css=”.vc_custom_1508147870309{padding-right: 10% !important;padding-left: 10% !important;}”][vc_column_inner][vc_column_text]By watching BP Underground on our website, you\u2019re contributing to the making of the next episode. Feel free to contribute more as the team is working on this project relying on their own resources, without any government funding.<\/strong>[\/vc_column_text][vc_column_text css_animation=”bounceInRight”]<\/p>\n

\n\n\n
\n \n \n \n \n \n \n \n \n \"\"\n <\/div>\n<\/form>\n\n<\/h4>\n

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Press photos:<\/strong> Bernadett Fej\u00e9r, Dorka Cseke<\/div>\n
Toldi premiere pictures:<\/strong> Eszter Gordon, D\u00e9nes Erd\u0151s<\/div>\n

[\/vc_column_text][vc_empty_space height=”75px”][\/vc_column][\/vc_row][vc_row el_class=”container containerNoPadding” el_id=”Blog”][vc_column][vc_empty_space height=”24px”][vc_row_inner content_placement=”middle”][vc_column_inner width=”1\/3″][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_custom_heading text=”PRESS” font_container=”tag:h1|font_size:32px|text_align:center|color:%23000000″ google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:800%20bold%20regular%3A800%3Anormal” css=”.vc_custom_1508140083774{padding-top: 10px !important;padding-right: -20px !important;padding-bottom: 10px !important;padding-left: -20px !important;background-color: #f7c522 !important;}”][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”75px”]

Ben\u00e9zt\u00fcnk a BP Underground Rock kulissz\u00e1i m\u00f6g\u00e9!<\/a><\/div>
“A BP Underground sorozat els\u0151 r\u00e9sze n\u00e9h\u00e1ny \u00e9vvel ezel\u0151tt el\u00e9gg\u00e9 meglepett. \u00c9reztem benne a lelkesed\u00e9st, a rajong\u00e1st, amit\u0151l t\u00e9nyleg n\u00e9zette mag\u00e1t a film. A k\u00f6zelm\u00faltban megjelent negyedik r\u00e9sz kapcs\u00e1n gondoltam r\u00e1, hogy le kellene \u00fcln\u00f6m a h\u00f6lgyekkel egy eszmecser\u00e9re, ugyanis negyedik r\u00e9sz ott, indul\u00f3 negyedik \u00e9vad itt, v\u00e9letlen lenne? Aligha.” A teljes vide\u00f3\u00e9rt kattints ide.<\/div><\/div>
\"Cs\u00e1polj,<\/a>